![]() I tested it on a wide array of synth basses, and almost without fail I was able to add something to the sound that was worth the time spent tweaking. ![]() Bass Amp Designer is a great way to fatten up synth basses and kick drums as well. In fact, as someone that’s primarily a bassist (of 3 decades, including my college education), I would buy this as a third-party plugin in no time. This is another classic studio technique that allows for a wide palette of sounds.īass Amp Designer is functionally far more well suited to Bassists than Amp Designer is to guitarists. The ability to blend this in with a mic’d amp sound is a classic technique that often yields excellent sounding bass tracks.Īnother feature that sets the Bass Amp Designer apart is that in the cabinet selection, you can select direct from either the power amp or the preamp. The DI Box has a high frequency cut, input gain, and 6 ‘tone presets’. Particularly since I’m rather fond of the Bass Amp Designer compressor, it sounds fantastic.Ī major feature of Bass Amp Designer is that it has an integrated Direct Box that can be variably mixed with the Amp/Mic combination. I find that these additions are more important to a bassist than having tremolo on a metal amp is to a guitarist. Every model has 2 channels, a bright switch, a semi-parametric EQ (the frequency that’s controlled by the knob is variable by a switch), a graphic EQ or fully parametric EQ, and a compressor with 2 modes: hard/soft. However, Bass Amp Designer is far more well suited to a Bassists expectations of an Amp Sim. ![]() Things I hate about Logic Pro X and Conclusion!īass Amp Designer is similar to the Amp Designer, and likewise all the same criticisms apply.Logic Instruments and MIDI Effects Review.Logic Pro X Tips & Tricks and more cool things.There will be a total rating for everything included though, and that rating is… I’ve marked the non-vectorized models as of Logic 10.4. Many of the plugins are vectorized for clean resizing and retina screens. I would suggest replacing these with a third-party product. Flawed - As the name implies, these plugins have some sort of flaw.There may be no fancy extra features like some third-party competitors, or maybe the DAW version is missing some common feature, but nevertheless it’s enough to get the job done. Sufficient - Sufficient get the job done without much hassle.Likewise, they compare favourably with third-party plugins on the market. Fantastic - These are plugins that I think would be an excellent value to purchase if possible.The categorization is decided as follows: Instead of rating every single plugin, I’m splitting the plugins in to 3 categories: Fantastic, Sufficient and Flawed. This time I’m doing the effects review differently than I have in the past ( Mixbus Effects, Mixbus Instruments, Bitwig Effects, Bitwig Instruments, Cubase Effects, Studio One Effects and Studio One Instruments). There may be an error here or there, so please let me know if you see one! That doesn’t include the time I’ve spent so far just casually using the products. I spent 55 hours specifically reading the effects manual, evaluating every plugin on a number of sources, testing with various analysis tools, reading the manual again, writing about plugins and editing this document. It’s time for the Logic Effects review, finally! Sorry this has taken nearly an extra week, but we’re here now. A selection of some awesome effects in Logic Pro X ![]()
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